Below, I believe is a photo of M Max Fechenbach, Hermann’s father, in uniform. Hermann, his father, his brother Siegfried and cousin Julius all fought in World War One.
Below, I believe is a photo of M Max Fechenbach, Hermann’s father, in uniform. Hermann, his father, his brother Siegfried and cousin Julius all fought in World War One.
Your Ocean Blue Eyes
Deep are the seas
Will dive into seas
I have sailed the seas
Will leave the seas
You can see the reflection of Hermann and Grete, also the camera to the right.
It strange to feel that I have become the guardian of the writings of Margarethe (Greta Batzke) Fechenbach. I will have to make a complete part of the www.hermannfechenbach.com dedicated to Grete’s work.
Here is a song from the archive that has been placed in my care, it’s called ‘One Word From You’ and dated August 1949.
One Word From You.
One word from you
My darling say it
I am so lonely
Sweetheart I love you
One word from you
A little lamb
The cat was out
The dog a stouthearted
The stick is not
The fire fenced up
The rain can be fruitful
The ox who saw
The butcher watched
The death who always
The angel of light
HERMANN FECHENBACH by Alice Schwab
The death in December last of my former teacher (in Stuttgart) breaks another link in the chain of German-Jewish artists who found refuge from Nazi tyranny in this country. Hermann Fechenbach was born in 1897 in Bad Mergentheim, Wiirttemberg, where his father ran a family Gasthof und Metzgerei which was also the social centre of a venerable but now defunct Jewish community. Fechenbach described and beautifully illustrated the history of his family and of the Mergentheim community in Die Letzten Mergentheimer Juden (Stuttgart, 1972).
From an early age Fechenbach showed promise as an artist, but his family did not consider this to be a suitable career for a good Jewish boy. So he went into commerce and quickly attained recognition as a window-dresser. Then came the War and he was badly wounded with the loss of his left leg. His father now relented and allowed him to adopt an artistic career. After studying in Stuttgart and Munich, he eventually established himself in Stuttgart where he painted in the Neue Sachlichkeit style.
In 1933 his name was removed from the official register of artists and he was forbidden to exhibit publicly. Eventually he and his wife Grete Batze, a professional photographer, settled in Palestine. But the new environment did not agree with them. Grete came to England on a domestic permit in 1939 and he followed a few months later. He resumed his painting and engraving and managed to arrange for his parents to emigrate to South America, though his twin sister died in a concentration camp.
On release from internment in 1941 Fechenbach, sponsored by Dr. Bela Horowitz, had his first English exhibition in Oxford in 1942. This was followed by numerous exhibitions at the Anglo-Palestine Club, the Ben Uri Art Society and on the Embankment. Although these exhibitions were well received, his style was not to the popular taste. He was a cripple, shy, retiring and had great difficulty with English. Nevertheless, in 1969 he published Genesis, the First Book of Moses with 137 of his own wood engravings. Copies of this most interesting work are still available for sale at the Ben Uri Art Society. His wife who had been ill for many years died in 1983; he remarried in 1984.
After years of silence, his work once again received public acclaim at the end of his life. A major exhibition was held at Blond Fine Art in 1985, of which the Times wrote 'his powerful graphic style comes from the same roots as those of Käthe Kollwitz and is often fired by the same anger ... He is clearly an artist to be reckoned with'.
We would like to thank Dr. Frank-Michael Lange who kindly sent us a number of documents which I am now in process of translating and then will build a better picture of the events in Hermann's life.
Here is a rough translation:
10/01/1950
Dr. Rosenthal,
Dear Dr. Rosenthal Your recommendation Mr Court Judge Dr. Koehler, thank you. I would be very grateful if you would take over the representation of my claims for redress. It is primarily about my 75% heavy war-disabled pension, which already according Dr. Koehler, the regulated compensation was set by 16/08/1949.
A copy of the Regional District office, Stuttgart, as well as the letter of Dr. Koehler I enclose.
Next relates to the redress my bank balance, and the losses that we had, after my wife Grete Batzke, was forced to give up our photo studio, Stuttgart, Schlossstr. 27. Through the photographic studio, we had a month after deductions of our expenses, an income of Mk 200 -, the resolution was made on the first of April, 1936, and we had no opportunity to sell the studio.
1939 after we sent our photo devices, my studio equipment and our furniture to Heifa, Palestine, in a container, as we were promised a certificate which, however, was not true, and so, with nothing as refugees arrived in England in May 1939.
To cover the expenses and storage, we have lost the greatest part of our possessions in Haifa.
My brother Julius Fechenbach, Bad Mergentheim, which is in possession of a general power of attorney from me, I'll be using the same mail instruct you to send the necessary powers.
Thank you in advance, greets you with all due respect
Hermann Fechenbach